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Here is a sample of some of the major shifts and trends that can be seen today among movie makers. Fortunately, it seems there is a way for theaters and streaming services to coexist peacefully as the theater window shrinks. Therefore, releasing movies in streaming services sooner on average will better serve the market without hurting theater revenues much. Other major films have postponed releases in certain countries.

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  • If you look at the math on this, remember, they weren’t making money before the pandemic.
  • After The Great Depression of 1929, movies played a critical role in keeping people entertained.
  • Cinemark may look to buy AMC locations at a discount in case of default, however, I personally do not believe Cinemark has the credit capacity to do so at profitable interest rates.

Tim Richards, the chief executive of Vue, the UK’s third biggest chain, says last weekend proved to be its best since February 2020 thanks to a slate of new films being given a theatrical release rather than just on streaming services. With theaters closed during the pandemic and viewership shifting to streaming services, so has market power. Therefore, you should still see an exclusive theater window post-pandemic, but it will likely shrink based on increased demand for home entertainment and the consequent new market power of streaming services.

A Look At Cinemark’s Financial Situation

For cinema chains and the marketers that advertise around their tentpole releases, there’s no shortage of appetite from consumers to squish into a red seat with a big box of popcorn. The Cannes Film Festival, which should have been held in May, has been postponed by two months, to July 6-17, 2021. The organizers only published a list of 56 films that they included in the official selection prison break temporada 3 online and held a symbolic «mini-festival» in October. Five German arthouse films were due to open in New York cinemas in 2021, including «Berlin Alexanderplatz» by Burhan Qurbani or the migrant drama «Exile.» Now they have to assert themselves online. The films are part of the «Kino! Germany Now!» selection promoted by the German Film Office. Supported by the Goethe-Institute, the initiative aims to increase the visibility of German films.

Reasons Workers Say They Plan To Change Jobs After The Pandemic

The COVID-19 pandemic has had a substantial effect on certain films in the early 2020s, mirroring its impacts across all arts sectors. Across the world and to varying degrees, cinemas and movie theaters have been closed, festivals have been cancelled or postponed, and film releases have been moved to future dates or delayed indefinitely. Due to cinemas and movie theaters closing, the global box office has dropped by billions of dollars, streaming has seen a significant increase in popularity and the stock of film exhibitors has also dropped dramatically.

Spending hours videoconferencing can sap energy, and home workers report fewer social connections and more time alone. Unanticipated situations have also cropped up, Neeley said, like a company that hired 800 people and brought all of them on board virtually, never having met them face-to-face. Courtesy photoKarestan Koenen, professor of psychiatric epidemiology at the Harvard T.H. Chan School of Public Health, views the effects of the pandemic as both acute and long-lasting, similar to those wrought by economic depression and war. The times are particularly difficult for those growing into adulthood and finding their place in the world.


Studios are very reliant on box office sales, which rose from 26% of total global revenues in 2000 to 46% in 2019, based on a comparison of worldwide theatrical, video, and TV revenue. With almost half their revenues from theatrical releases, studios are understandably concerned about upending a century-old model in favor of digital distribution. A recent example of Fathom’s social media outreach is its campaign to promote the Metropolitan Opera’s Live in HD encore of Terence’s Blanchard’s Fire Shut Up in My Bones, the Met’s first opera by an African American composer. Fathom partnered with an African American opera influencer, Babatunde Akinboboye, to connect with his followers to publicize Fathom’s release. “The campaign had thousands of views, likes, comments and shares including comments from Terence Blanchard himself.

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And while overall box-office figures climbed, a smaller pool of films, mostly involving comic-book superheroes, were making the tills ring, and fewer studios were making all the money. Disney made over $11 billion in 2019, but small distributors have been struggling to survive, not helped by the fact that the bigger studios have started to open up their own streaming platforms, monopolising the ancillary market as well. Parsley, the UEC employee, told me that any issues he encountered with patrons paled in comparison to the frustrations—staff layoffs and eliminated weekday showings—caused by release delays and slashed theatrical windows.